{"id":122,"date":"2025-10-23T13:10:26","date_gmt":"2025-10-23T13:10:26","guid":{"rendered":"https:\/\/historyoftech.mcclurken.org\/imax\/?page_id=122"},"modified":"2025-11-29T17:34:33","modified_gmt":"2025-11-29T17:34:33","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/historyoftech.mcclurken.org\/imax\/?page_id=122","title":{"rendered":"Bibliography"},"content":{"rendered":"\n

Secondary Sources<\/h2>\n\n\n\n

Acland, Charles R. 1998. \u201cIMAX Technology and the Tourist Gaze.\u201d Cultural Studies<\/em> 12, no. 3 (July 1): 429\u201345. https:\/\/doi.org\/10.1080\/095023898335492<\/a>.<\/p>\n\n\n\n

Altman, Rick. Silent Film Sound.<\/em> New York: Columbia University Press, 2004.<\/p>\n\n\n\n

Belton, John. \u201cThe Origins of 35mm Film as a Standard.\u201d Journal of the Society of Motion Picture and Television Engineers<\/em> 99, no. 8 (August 1990): 652\u201361. https:\/\/doi.org\/10.5594\/J02613<\/a>.<\/p>\n\n\n\n

Bridgett, Rob. 2023. \u201cIMAX.\u201d In Working with Sound<\/em>, 1st ed., vol. 1, 123\u201326. Routledge. https:\/\/doi.org\/10.4324\/9781003354352-38<\/a>.<\/p>\n\n\n\n

Cook, David A. \u201cThe Age of IMAX, or the \u2018Immersive Cinema,\u2019 1986-2009.\u201d A History of Experience.<\/em> University of Miami. https:\/\/com.miami.edu\/wp-content\/uploads\/2022\/06\/mma_awards_undergraduate_2022.pdf<\/a>.<\/p>\n\n\n\n

Furby, Jacqueline, and Stuart Joy, eds. 2015. Cinema of Christopher Nolan: Imagining the Impossible.<\/em> Columbia University Press. https:\/\/doi.org\/10.7312\/furb17396<\/a>.<\/p>\n\n\n\n

\u201cImax Revenue Premium.\u201d 2022. Journal of Cultural Economics<\/em> 46, no. 4: 597\u2013634. https:\/\/doi.org\/10.1007\/s10824-021-09425-4<\/a>.<\/p>\n\n\n\n

IMAX Filmmaking: What Is It Like to Shoot on an IMAX Film Camera?<\/em>, image (or article),\u202fY.M.Cinema Magazine, March 10, 2020, accessed November 29, 2025, https:\/\/ymcinema.com\/2020\/03\/10\/imax-filmmaking-what-is-it-like-to-shoot-on-an-imax-film-camera\/<\/a>.<\/p>\n\n\n\n

Liu, Dapeng, and Pascal Courty. Some Economics of Movie Exhibition: Increasing Returns and Three-Dimensional Cinema.<\/em> 1st ed. London: Anthem Press, 2021. https:\/\/ebookcentral.proquest.com\/lib\/umw\/detail.action?pq-origsite=primo&docID=6735093<\/a>.<\/p>\n\n\n\n

Lobban, Grant. \u201cPreserving Wide Film History.\u201d Journal of the BKSTS<\/em> 67, no. 4 (April 1985).<\/p>\n\n\n\n

Mhatre, Shubham. 2024. \u201cThe Resurgence of the 65mm & IMAX 15\/70.\u201d Master\u2019s thesis, Academy of Performing Arts in Prague. https:\/\/dspace.amu.cz\/items\/ba2d23af-a0b5-4c56-9ee2-d80eaaad1df4<\/a>.<\/p>\n\n\n\n

Sheridan, Gabrielle. Inside IMAX: What Makes It \u2018The World\u2019s Most Innovative Movie-Going Experience.\u2019<\/em> 1st ed. London: Anthem Press, 2021. https:\/\/ebookcentral.proquest.com\/lib\/umw\/detail.action?pq-origsite=primo&docID=6735093<\/a>.<\/p>\n\n\n\n

Wang, Chen, and Li Heng. 2018. \u201cBuilt Environmental Variations Between Regular and IMAX Theatres.\u201d Open House International<\/em> 43, no. 4: 41\u201351. https:\/\/umw.idm.oclc.org\/login?url=https:\/\/www.proquest.com\/scholarly-journals\/built-environmental-variations-between-regular\/docview\/2171603216\/se-2<\/a>.<\/p>\n\n\n\n

Whitney, Allison Patricia. 2005. The Eye of Daedalus: A History and Theory of IMAX Cinema.<\/em> PhD diss., University of Chicago.<\/p>\n\n\n\n

\n\n\n\n

Primary Sources<\/strong><\/h2>\n\n\n\n

AMC Theatres. n.d. IMAX at AMC.<\/em> https:\/\/www.amctheatres.com\/imax<\/a>.<\/p>\n\n\n\n

History. 2009. Proteomics Weekly.<\/em> NewsRX LLC. https:\/\/global-factiva-com.umw.idm.oclc.org\/ga\/default.aspx?page_driver=<\/a>.<\/p>\n\n\n\n

Jones, Peter Ronald Wright. 1976. Shutter Assembly.<\/em> US Patent 3,944,349, filed January 16, 1970, and issued March 16, 1976. https:\/\/patents.google.com\/patent\/US3944349A\/en?oq=3944349<\/a>.<\/p>\n\n\n\n

Shaw, William Chester. 1971. Rolling Loop Film Transport Mechanism.<\/em> US Patent 3,600,073, filed November 24, 1969, and issued August 17, 1971. https:\/\/patents.google.com\/patent\/US3600073A\/en<\/a>.<\/p>\n\n\n\n

Sperling, Nicole. 2025. \u201cWhy Is IMAX Suddenly Everywhere?\u201d The New York Times,<\/em> May 23, 2025. https:\/\/www.nytimes.com\/2025\/05\/23\/business\/media\/imax-movie-theaters.html<\/a>.<\/p>\n\n\n\n

Switch International, production company. 2011. In Short. Episode 95, IMAX.<\/em> Chip Taylor Communications. https:\/\/umw.primo.exlibrisgroup.com\/permalink\/01UMW_INST\/cr9fmi\/alma991005141269403326<\/a>.<\/p>\n\n\n\n

Transformers: Revenge of the Fallen: The IMAX Experience Posts Biggest Opening in IMAX.<\/em> [No date]. [No URL provided].<\/p>\n\n\n\n

Weaver, J. 2024. \u201cIMAX Is Changing the World of Cinema \u2013 and What Movies Make It to the Big Screen in the First Place.\u201d CBCnews<\/em>, December 25, 2024. https:\/\/www.cbc.ca\/news\/entertainment\/imax-movies-1.7413360<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Secondary Sources Acland, Charles R. 1998. \u201cIMAX Technology and the Tourist Gaze.\u201d Cultural Studies 12, no. 3 (July 1): 429\u201345. https:\/\/doi.org\/10.1080\/095023898335492. Altman, Rick. Silent Film Sound. New York: Columbia University Press, 2004. Belton, John. \u201cThe Origins of 35mm Film as a Standard.\u201d Journal of the Society of Motion Picture and Television Engineers 99, no. 8 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-122","page","type-page","status-publish","hentry","no-featured-image"],"_links":{"self":[{"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=\/wp\/v2\/pages\/122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=122"}],"version-history":[{"count":6,"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=\/wp\/v2\/pages\/122\/revisions"}],"predecessor-version":[{"id":292,"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=\/wp\/v2\/pages\/122\/revisions\/292"}],"wp:attachment":[{"href":"https:\/\/historyoftech.mcclurken.org\/imax\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}